![]() Every shot or frame of a film has to count in order to accomplish the action and progress the story. ![]() The physical actions and the dialogue of the character change from the exposition and conflict as he or she goes through the rising and falling action of the movie. Physiology is included in this portrayal because many movie characters are self-conscious of their physical appearances, like Cyrano de Bergerac who was self-conscious of his nose. Since a movie is a visual experience, the sociology and psychology, along with the physiology, are subtly portrayed visually by the physical movements and the dialogue the character displays in any particular situation. In order to create a three-dimensional character with a well-developed background, the movie has to illustrate the character’s sociology, psychology, and physiology. In order for the movie to express this development, the character has to show growth in moral and ethical qualities, such as integrity, honesty, or courage, and by having a well-developed background, making the character three-dimensional. The viewer wants to see the main character (protagonist) and the supporting characters develop like people do in real life. ![]() Identifying with the characters is a common reason people love a certain movie. This leads us to the main ingredient of a movie and why we watch movies: the characters. The portrayal of a character in a movie can also be phrased by the formula: Dialogue + Physical Movement = Character. defines character as “the aggregate of features and traits that form the individual nature of some person or thing, including moral or ethical quality, reputation, and the qualities of honesty, courage, or the like integrity.” 30
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